Skip to main content

Meet Gallatin

Before we meet Gallatin let's take one final look at Branching Out.  Here she is all blocked and ready to go.  Ignore the camera string on the scarf as I wear it.  This illustrates just why a photographer needs a second set of eyes.  I was so fixated on other things, that detail was completely missed, until it was way too late to redo.

Around my neck

Here it is happily hanging out on the banister.
After blocking Branching Out is a full 5 feet/1.5 meters long and 7 inches/18 cm wide.  The lace design really shows up well against these white backgrounds and looks much more complicated than it is.  The Silky Wood yarn was perfect for this project (thank you Ravelry.)

Now, on to Gallatin.  It is another scarf but it has the curved or tapered type of design I have been looking for, for a long time.  Here's the designer's version, Kris Basta.

The Gallatin Scarf in the Gallatin Valley of Montana

It has a tapered edge which is achieved by casting on stitches at the start of each row and is a double lace pattern, meaning the lace is worked on both the front and back of the scarf.   Laura Nelkin talked about double lace knitting in her class so I thought I'd give it a whirl with this very simple lace element.   BTW my yarn is a lighter weight, (a sports weight rather than the worsted weight used by the designer) Laura Harding Willow Tweed yarn in the colour, Denim with 40% alpaca, 40% merino and 20% silk.  This lighter weight yarn means I am using smaller needles, will need to work more lace rows to get the right size all leading to using more yarn than the designer did in her version.  It is OK though, I have four skeins of it and will more than likely use less than two.

A closeup of the design element (YO, K2tog, k2)


Far from done, but you do get a glimpse of how it tapers from front to back
Since my yarn has a bit of white thicker pieces of yarn twisted along with the light blue denim, the lace design will not compete with the yarn.  And my Gallatin is rather light weight which should make it a scarf that can be worn year round except for the hottest of times.

Gallatin makes me remember a wonderful trip our family took to this place back in the day.  Gallatin Valley has a river of the same name running through it.  It is a beautiful, tranquil place.  And there was plenty of outdoor stuff going on to keep everyone entertained.



I will reminisce about that trip as I knit this project.  It was one of the best we did when my sons were young.   Designer Kris Basta, thanks for the pattern and for the walk down memory lane.







Comments

Popular posts from this blog

Ode to the Cat

It has been six months since Mike, the cat's, passing.  I think of him every day and miss him especially when Paul is away.  Mike was a being in the house with me and we were close.  Grieving his death has been muddled with my Dad's passing and sometimes I feel guilty about that happening.  As time passes the ache becomes less hurtful for both and I am starting to get mostly good memories in its place. Recently I helped celebrate Pablo Neruda's birthday with Jami, my poet and overall very creative friend.  Guests were asked to select one poem written by Neruda to read to the small group who gathered for the celebration.  I picked this one: Ode To The Cat -- Pablo Neruda There was something wrong with the animals: their tails were too long, and they had unfortunate heads. Then they started coming together, little by little fitting together to make a landscape, developing birthmarks, grace, flight. But the cat, only the cat turned out finished, and

Anatomy of a Sock

I've been knitting socks for a relatively short time.  One of the disconcerting things for me as I started following patterns for socks is the pattern designer assumes the knitter (in this case that would be me) knows all the parts of a sock.  So I thought I'd devote a post to improve my own knowledge about the anatomy of a sock and maybe some of you will learn something about the humble yet necessary sock as well. Here's the names of the parts of the foot as I know them. #49 ankle, #50 heel, #51, instep, #52 ball, #53 big toe, #54 toe, #55 little toe, #56 toenail. There are some parts more important for this discussion; first the heel of a foot is generally used to refer to the entire C-shape from the ankle to the instep.  Speaking of the instep, it refers to that curve near the bottom of the foot.  And what seems to be missing in the design above is the sole which generally refers to the bottom of the foot in total or plantar aspect in more technical terms.  (BTW

Yarn Barf

It's back to quirkiness and time to step away again from the cuteness for a while.  But as you see I'm someone who slips from one to the other without much effort so anticipate this back and forth to be my new normal. A dramatization of me in the midst of my startitist frenzy Yarn barf .  I'm willing to bet you hadn't thought of putting those two words together, had you?  It just so happens yarn barf can be a reoccurring pain for those of us who use yarns that come in a skein instead of a hank.  (No pun intended regarding the current Noro virus, well maybe a little pun.) Skeins of yarn wound by the manufacturer These are hanks which need to be wound into balls  If you look closely at the picture on the right you'll see the start on the millet yellow skein at the centre right of the photo.  Its start can easily be seen coming from the centre of the skein onto the violet skein to the left.  Easy to find, right!  Sure but what about the remaining 4