Skip to main content

Rothko's Inspiration

I recently spent a lovely four-day weekend in Portland, Oregon with Lee and Brittni.  I love Portland, perhaps because it is so easy to get around using public transportation, or perhaps it is the great food and drink options, or perhaps it is because the city is dominated with a strong Germanic culture.  At any rate, as usual I had a wonderful trip to Portland and my hosts played no small part in that satisfaction.

Lee and Brittni worked hard to show me a good time.  I arrived after taking an Amtrak train from Vancouver to Portland and then using Portland's light rail to get to their lovely downtown apartment.  We ate some great Thai and American classic food, I did a brewery tour and sampled my favorite sausage fondue.  I visited Brittni's work site, Adidas, where I purchased a new pair of tennis shoes/runners.  Lee and I saw the first ever all Somoan movie and Brittni and I were able to take in a lecture by Chris Rothko talking about life with his father, painter Mark Rothko.  No surprise, father Rothko was very focused in his art, but spent some of his free time sharing his love of music with Chris.  Son Rothko also commented that although there are parts of the relatively new play Red that are accurate about his father, Rothko never had an apprentice.  The apprentice is of course a ploy to help inform the audience what Rothko is thinking as he converses with the apprentice

Brittni and I also visited the gallery show of Rothko paintings after the lecture.  Here's a couple of examples:
No 61 Brown, Blue, Brown on Blue


Untitled
These painting inspired me.  For some time now we have had three pieces of painted locker paper Paul purchased in Mexico on the wall.  I enjoyed the artististic way Paul installed them, but they had been up for long enough.  My local craft shop had a sale on large canvases recently so I made a purchase and started painting.  Here's what I came up with:


My Rothko inspired masterpiece

Working with the colours of the couch/chesterfield below it, I started painting. Since the piece needed  to be horizontal rather than vertical to fit the space, I deviated from Rothko in that way.  However I took inspiration from the way he repeated colours with one light coat over another.  It took me a few hours to gesso the canvas and then paint.  Once it was dry it was pretty easy to hang since I had just had plenty of practice helping a friend get several pieces hung on her bedroom walls.   The lecture and gallery visit not only inspired this work I think I might have to see Red when it eventually makes its way to Vancouver.

Thanks Brittni for getting me to the a gallery for the lecture, we barely made it in but I appreciated the approach which gave me this inspiration.  You can check out in person my Rothko inspired work next time you're in town.

Comments

Popular posts from this blog

Ode to the Cat

It has been six months since Mike, the cat's, passing.  I think of him every day and miss him especially when Paul is away.  Mike was a being in the house with me and we were close.  Grieving his death has been muddled with my Dad's passing and sometimes I feel guilty about that happening.  As time passes the ache becomes less hurtful for both and I am starting to get mostly good memories in its place. Recently I helped celebrate Pablo Neruda's birthday with Jami, my poet and overall very creative friend.  Guests were asked to select one poem written by Neruda to read to the small group who gathered for the celebration.  I picked this one: Ode To The Cat -- Pablo Neruda There was something wrong with the animals: their tails were too long, and they had unfortunate heads. Then they started coming together, little by little fitting together to make a landscape, developing birthmarks, grace, flight. But the cat, only the cat turned out finished, and

Anatomy of a Sock

I've been knitting socks for a relatively short time.  One of the disconcerting things for me as I started following patterns for socks is the pattern designer assumes the knitter (in this case that would be me) knows all the parts of a sock.  So I thought I'd devote a post to improve my own knowledge about the anatomy of a sock and maybe some of you will learn something about the humble yet necessary sock as well. Here's the names of the parts of the foot as I know them. #49 ankle, #50 heel, #51, instep, #52 ball, #53 big toe, #54 toe, #55 little toe, #56 toenail. There are some parts more important for this discussion; first the heel of a foot is generally used to refer to the entire C-shape from the ankle to the instep.  Speaking of the instep, it refers to that curve near the bottom of the foot.  And what seems to be missing in the design above is the sole which generally refers to the bottom of the foot in total or plantar aspect in more technical terms.  (BTW

Yarn Barf

It's back to quirkiness and time to step away again from the cuteness for a while.  But as you see I'm someone who slips from one to the other without much effort so anticipate this back and forth to be my new normal. A dramatization of me in the midst of my startitist frenzy Yarn barf .  I'm willing to bet you hadn't thought of putting those two words together, had you?  It just so happens yarn barf can be a reoccurring pain for those of us who use yarns that come in a skein instead of a hank.  (No pun intended regarding the current Noro virus, well maybe a little pun.) Skeins of yarn wound by the manufacturer These are hanks which need to be wound into balls  If you look closely at the picture on the right you'll see the start on the millet yellow skein at the centre right of the photo.  Its start can easily be seen coming from the centre of the skein onto the violet skein to the left.  Easy to find, right!  Sure but what about the remaining 4